BISHTI (also known as BISHTI 07) is an emerging Indian hip-hop artist. He is noted for his work in the rap genre, with a discography built on a prolific series of single releases.
His real name is reportedly Himanshu Bisht, who is often credited as the composer and lyricist for his solo tracks.
BISHTI's musical catalog is characterized by a blend of introspective solo tracks and frequent collaborations with other emerging artists, most notably Aryan Bahnewaal and SIDHJEET. All of his known releases are standalone singles, primarily distributed via Chorus Network, suggesting he is currently an independent artist.
💿 Discography
As of late 2025, BISHTI's discography consists entirely of singles. He has not released a full-length studio album or an EP (Extended Play).
Singles
The following is a list of official singles released by BISHTI in 2025.
| Year | Title | Featured Artist(s) | Release Date | Label |
| 2025 | RANJHANA | — | Dec, 2024 | Chorus Network |
| 2025 | SOMEBODY | — | 2025 | Chorus Network |
| 2025 | SANGEET FREESTYLE | — | 2025 | Chorus Network |
| 2025 | Kwaab | SIDHJEET | 2024 | Chorus Network |
| 2025 | Kya Chalra Hai? | SIDHJEET | 2024 | Chorus Network |
| 2025 | BETRAYED | Aryan Bahnewaal | 2025 | Chorus Network |
| 2025 | Hustle | Pain | Oct 3, 2025 | Chorus Network |
| 2025 | THOUGHTS | Aryan Bahnewaal | Nov 7, 2025 | Chorus Network |
| 2025 | BANDE KHARAAB | — | 2024 | Chorus Network |
| Year | Title | Featured Artist(s) | Release Date | Label |
| 2025 | Moon | — | 2025 | ---- |
| 2025 | HASI | — | 2025 | ---- |
| 2025 | OH MERI JAAN | — | 2024 | ---- |
| 2025 | CLAIM | KKKAMAL SINGH | 2025 | ---- |
| 2025 | 2K17 | ----- | 2023 | ----- |
| 2025 | BEWARE | KKKAMAL | 2024 | ---- |
🎶 Detailed Track Analysis
Below is a deeper analysis of each track in BISHTI's catalog, exploring their themes and collaborative context.
Solo Tracks
These songs feature BISHTI as the sole artist and are often his most personal statements.
"RANJHANA"
Release: December, 2024
Duration: 2:34
Analysis: This track, released early in his 2025 run, is a thematic departure from typical rap bravado. The title "Ranjhana" (रांझणा) is a deeply passionate Hindi/Urdu term for "beloved" or "lover." The song is a modern hip-hop love letter, built around themes of intense affection, devotion, and longing. As a solo track, it places BISHTI's storytelling and emotional vulnerability front and center, with Himanshu Bisht credited as the sole composer and lyricist.
"SOMEBODY"
Release: July, 2024
Duration: 2:06
Analysis: "SOMEBODY" provides a thematic counter-balance. It is a short, introspective track that appears to explore themes of identity, anonymity, and ambition. The title can be interpreted as a reflection on feeling like just "somebody" in the crowd, or the driving desire to become "somebody" of note. the artist as a devoted lover and the artist as an individual striving for a name.
"SANGEET FREESTYLE"
Release: 2025
Analysis: As the title implies, this track is a showcase of pure lyrical skill. A "freestyle" in this context typically refers to a track focused on complex rhyme schemes, wordplay, and a confident flow. It's BISHTI's opportunity to prove his technical abilities as an MC (Master of Ceremonies), focusing less on a single story and more on the "sangeet" (music) and the art of rapping itself.
"BANDE KHARAAB"
Release: 2024
Analysis: The title translates to "Bad Dudes" or "Corrupt People." This track likely sees BISHTI adopting a more aggressive or confrontational tone. The theme could be a commentary on fake friends, untrustworthy figures in the industry, or a more "g-rap" style track asserting his own toughness and resilience in a harsh environment. It shows a grittier side to his artistry compared to the vulnerability of "RANJHANA."
Collaborations (Featured Tracks)
A significant portion of BISHTI's work involves collaborations, which are foundational to the modern hip-hop scene.
"BETRAYED" (feat. Aryan Bahnewaal)
Release: 2025
Duration: 3:10
Analysis: "BETRAYED" is one of BISHTI's most prominent releases, largely due to its official music video. As the title starkly suggests, the song is a deep dive into the pain of disloyalty and broken trust. Both BISHTI and Aryan Bahnewaal trade verses, likely detailing a personal story of being let down by a friend, partner, or associate. The track's emotional weight and the chemistry between the two artists make it a standout in his catalog.
"THOUGHTS" (feat. Aryan Bahnewaal)
Release: November 7, 2025
Duration: 2:52
Analysis: This marks the second major collaboration between BISHTI and Aryan Bahnewaal, released later in 2025. "THOUGHTS" is an introspective track where both artists are credited as lyricists and composers. The song likely features the two rappers in a reflective state, sharing their inner monologue, anxieties, or philosophies on life. It builds on the serious, emotional tone established in "BETRAYED."
"Kwaab" (feat. SIDHJEET)
Release: 2024
Analysis: "Kwaab" (ख़्वाब) means "Dream." This collaboration with SIDHJEET likely explores themes of ambition, aspiration, and the visions the artists have for their future. In hip-hop, "dream" tracks are common, often detailing the journey from having nothing to dreaming of having it all, or the surreal nature of chasing a goal in the music industry.
"Kya Chalra Hai?" (feat. SIDHJEET)
Release: 2024
Analysis: The second collaboration with SIDHJEET, this track's title translates to the casual greeting, "What's up?" or "What's going on?". This suggests a more relaxed, conversational, and possibly braggadocious track. It's likely a "posse cut" style song where the two artists simply trade bars, showcase their flow, and talk about their lives and the scene around them.
"Hustle" (feat. Pain)
Release: October 3, 2025
Analysis: Teaming up with fellow artist Pain, "Hustle" is a quintessential hip-hop anthem. The song is dedicated to the theme of the "grind"—the relentless hard work, late nights, and sacrifices required to succeed, particularly in the competitive field of music. It's an anthem of motivation and perseverance.
🎥 Music Videos and Visuals
The visual presence of BISHTI, primarily on YouTube, is a key component of his artistic identity. His strategy is divided between high-impact, full-production official music videos for key collaborative singles and high-quality "official audio" releases (or visualizers) for the rest of his catalog. This approach allows him to maintain a consistent release schedule while focusing his budget and creative energy on specific flagship projects.
"BETRAYED" (feat. Aryan Bahnewaal)
The Official Music Video for "BETRAYED" stands as BISHTI's most significant and revealing visual production to date. This is not just an audio upload; it is a fully realized short film that captures the song's raw, emotional core.
Production and Direction: The video is a testament to the collaborative, do-it-yourself spirit of the independent hip-hop scene. According to the video's credits, it was "Shot & Edit By: Team Aryan (Nishant & Rahish)," with his collaborator Aryan Bahnewaal also handling the mix and mastering of the track. This self-contained production allows for a singular, unfiltered vision that directly matches the song's intent.
Visual Theme and Atmosphere: The video perfectly translates the song's "soul-stirring" theme of disloyalty and broken trust. The aesthetic is intentionally moody, atmospheric, and cinematic. It avoids bright, saturated colors in favor of a darker, more dramatic palette, with lighting used to create shadows and a sense of introspection. The entire visual is steeped in the pain and reflection of the lyrics.
Performance: This video is the primary introduction to BISHTI's on-screen persona. Both he and Aryan Bahnewaal deliver their verses with a palpable energy. They are not just rapping to the camera; they are performing the song's emotional narrative. Their expressions, body language, and direct-to-lens delivery convey the rawness of feeling betrayed. This performance-driven style is effective, as it forces the viewer to confront the song's heavy subject matter directly.
Setting and Significance: The video is set in intimate indoor and urban locations. This choice feels deliberate—it’s not about showcasing a lavish lifestyle, but about creating a contained, almost claustrophobic environment where these raw "thoughts" and feelings can be processed. For his discography, "BETRAYED" is the visual anchor. It establishes his brand as a serious, lyrical artist who is unafraid to tackle difficult, personal subjects.
"THOUGHTS" (feat. Aryan Bahnewaal)
The visual for "THOUGHTS" serves as a thematic companion piece to "BETRAYED." As the second major collaboration with Aryan Bahnewaal, its visual is a more contained "Official Audio" release, which strategically shifts the listener's focus.
Visual Style: The "video" for "THOUGHTS" is a high-quality visualizer centered on its official cover art. This art is a key part of the experience. It typically features a dark, introspective aesthetic—perhaps a smoky or cloudy texture, or a graphic representation of a mind in conflict. The visual is static, not narrative.
Thematic Purpose: This static nature is an intentional creative choice. While "BETRAYED" is an external lashing-out at the act of disloyalty, "THOUGHTS" is a representation of the internal monologue that follows. By removing a complex narrative video, the listener is forced to do exactly what the title suggests: focus on the "thoughts." The listener's attention is directed entirely to the intricate lyrics, the back-and-forth flow between BISHTI and Aryan, and the philosophical, reflective state of the song.
Contrast and Function: The visual for "THOUGHTS" functions as a mood piece. It sets a somber, contemplative tone and acts as a backdrop for a deep listening session. It’s the quiet, reflective aftermath of the emotional explosion seen in "BETRAYED." In BISHTI's catalog, it represents the artist's introspective side, proving he is as much a lyricist-poet as he is a performer. The visual is not meant to be "watched"; it is meant to be felt while the lyrics take center stage.
"HUSTLE" (feat. Pain)
The visual for "HUSTLE" is an "Official lyric" release that functions as a bold, motivational statement piece. The visual element is the track's cover art, and its design is inseparable from the song's theme.
Visual as a "Banner": The "HUSTLE" visual is not a story; it's a banner. The song itself, a collaboration with Pain, is an anthem dedicated to the "grind"—the relentless work and ambition required to succeed. The cover art, which serves as the video's only image, is designed to be the poster for this anthem. It likely features strong, aggressive typography, a gritty urban aesthetic (perhaps a nighttime city view or a raw, textured background), and a color palette that conveys energy and determination.
Function Over Narrative: The purpose of this visual is to be a source of motivation. It’s the kind of video that plays in the background while the listener is working, exercising, or pursuing their own goals. By presenting a static, powerful image, BISHTI and Pain are making a clear statement: this track is all about the message. The visual simplicity ensures that the driving beat and the motivational lyrics are the primary focus.
Identity and Branding: In the context of his discography, the "HUSTLE" visual helps build BISHTI's brand beyond just personal pain ("BETRAYED") or introspection ("THOUGHTS"). It positions him as an artist who understands the classic hip-hop trope of the "grind." The visual, in its stark simplicity, communicates an attitude of "no-nonsense, all work." It's an essential piece of his artistic identity, showing his connection to the foundational themes of the genre.
"MOON" (feat. SIDHJEET)
The visual for "MOON," his collaboration with SIDHJEET, is another "Official visualiser" release that uses its cover art to create a specific, immersive atmosphere. The title itself provides a powerful visual cue that the artwork fully embraces.
Atmospheric Visual: The "video" for "MOON" is the track's cover art, which is designed to be highly atmospheric. The art almost certainly features a prominent moon, a dark night sky, and perhaps silhouettes or a dreamlike landscape. The color palette would be dominated by deep blues, blacks, silvers, and white, creating a feeling of calm, isolation, or longing.
Thematic Purpose: The moon is a rich symbol in art and poetry, representing dreams, romance, mystery, and a guiding light. This visual, paired with the music, turns the song into a contemplative and ethereal experience. It’s a track for late-night drives or quiet reflection. The static image of the moon encourages the listener to get lost in the "vibe" of the song, which (given the collaboration with SIDHJEET, who also appeared on "Kwaab" or "Dream") likely has a more melodic or spaced-out feel.
Aural Focus: Like "THOUGHTS," the visual's simplicity is its strength. It’s not a story to be watched, but a scene to be inhabited. It commands the listener to focus on the sonic details: the production, the vocal tones of BISHTI and SIDHJEET, and the mood they are collectively building. It’s a "headphone" track, and the visual serves as the perfect, non-distracting accompaniment for that kind of focused listening.
"SANGEET FREESTYLE"
The "SANGEET FREESTYLE" visual is perhaps the most direct and purposeful in its simplicity. As an "Official Audio" release, its visual design is a deliberate choice to highlight what truly matters in a freestyle: the lyrics.
A "No-Distraction" Approach: A freestyle ("sangeet" meaning music) is a raw demonstration of an MC's technical skill, wordplay, and flow. A complex, narrative music video would be a complete distraction from the entire point of the track. Therefore, the visual for "SANGEET FREESTYLE" is simply its cover art. This art likely features bold, clear typography of the song's title, perhaps against a clean or minimally textured background.
Function: A Platform for the Bars: The video's entire function is to give the audio a home on the YouTube platform. Its visual simplicity is an explicit instruction to the audience: "Don't watch, listen." It tells the viewer that this track is for hip-hop purists. It’s a celebration of the art of rapping itself. The listener is meant to focus on the rhyme schemes, the punchlines, and the breath control.
Artist's Confidence: By not having a flashy video for a freestyle, BISHTI is making a confident statement. He is letting his lyrical ability stand completely on its own, without any visual aids to prop it up. This is a classic, old-school hip-hop approach, and its visual representation (or lack thereof) is a crucial part of its authenticity. It’s a pure showcase of skill.
"BANDE KHARAAB"
The visual for the solo track "BANDE KHARAAB" (which translates to "Bad Dudes" or "Corrupt People") is an "Official Audio" upload that uses its cover art to set an aggressive and confrontational tone.
A Visual Warning Label: This song is a statement of "g-rap" or street-style hip-hop. The visual, which is the track's cover art, functions as a warning label for the content within. The artwork is likely to be dark, gritty, and imposing. It might feature aggressive, stylized fonts, a "parental advisory" style graphic, or symbolic imagery representing danger, untrustworthiness, or the "bad dudes" of the title.
Setting the Tone: The visual's primary job is to establish the song's uncompromising attitude before the first beat even drops. It tells the listener to prepare for a different side of BISHTI—not the lover from "RANJHANA" or the introspective poet from "THOUGHTS," but a more hardened, cynical, and assertive persona. The visual is the face of this aggression.
Statement of Identity: Like the "HUSTLE" visual, this is a statement piece, not a narrative. It's a bold declaration of an attitude. The visual's simplicity is its power. It’s a stark, in-your-face image that perfectly complements the track's raw energy and confrontational lyrics. It’s a necessary component of his discography, showing his versatility and his willingness to adopt the tougher tones required by the genre.
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